Steinberg SpectraLayers Pro 13.0

SpectraLayers Pro 13

SpectraLayers turns sound into tangible visuals—so you can select, grab, and sculpt audio directly on a spectral display. With powerful, long-developed selection tools and newly added AI-assisted processes, this release delivers faster, more precise spectral editing for everything from restoration to creative sound design.

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Zenteek 1.6.2

Zenteek

Zenteek — a premium macOS music player for audiophiles and collectors.

Built for collectors
Keep your originals intact. Zenteek treats your library like an archive: folder structure, release integrity and metadata remain unchanged so you can browse thousands of records without losing orientation. Precise filters, immersive Cover Flow and tactile browsing make large collections feel manageable and meaningful.

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NCH WavePad 24.31

NCH WavePad 24.31

This audio editing software is a full featured professional audio and music editor. It lets you record and edit music, voice and other audio recordings. When editing audio files you can cut, copy and paste parts of recordings then add effects like echo, amplification and noise reduction. WavePad works as a wav or mp3 editor but it also supports a number of other file formats including vox, gsm, wma, real audio, au, aif, flac, ogg and more.

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Tagr 5.14.1

Tagr 5.14.1

Tagr is an application that helps you organize your music collection.

With Tagr you can easily edit information such as a song's artist, title, or album cover. Tagr also allows you to control the way your files are named, numbered, and capitalized. There is no more need for having other tools dictate that for you!

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Native Instruments Maschine 3.5.0

Native Instruments Maschine 3

MASCHINE 3 is all about getting your musical ideas flowing. It’s there every step of the way from beat making and sampling to arranging and performing your tracks. Use it with virtual instruments or your own samples, both on its own and in a DAW. And if you’re ready to take things up a gear, bring in Maschine hardware to get hands on.

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